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Sangean PR-D5 Review

Img_2615_6 Someone was kind enough to inform me that the Sangean Sonido Radio, newly updated, will be called the Sangean PR-D5. The old Sonido is still available with Weather and mono speaker. But the PR-D5, looking very much like the Sonido, does not have have Weather Band. However, it boasts 2 stereo speakers and RDS as evidenced on the Sangean Website. Currently the Sonido is selling for 89.99 on Amazon. Buying from a vendor, one can purchase the new PR-D5 for about 89 plust 7 dollars shipping on Amazon.

Update: After reading about the PR-D5's exceptional AM ferrite antenna I could not resist buying it for 70 dollars (after I applied a 25-dollar coupon) on Amazon. The radio was delivered a few days later. I've been using it as a bedside clock radio in place of my Sangean WR-2 and here are some initial impressions.

1. The FM reception is very strong, better than my Sangean WR-2 because the PR-D5 has a telescopic antenna. To give you an example of superior FM reception, 89.3 comes in clear on the PR-D5 whereas you have to hold the piggy tail wire antenna on the WR-2 to get 89.3 clearly. Also the very weak 88.9 comes in fairly strongly on the PR-D5 and barely comes in at all on the WR-2.

2. The AM reception is very strong, as good as Sangean advertises. I'd say it's a tie with the very strong Sangean WR-2. Both radios are tied for first for my very best AM performers.

3. In theory, the PR-D5's dual stereo speaker should sound richer, fuller than the WR-2's monoaural speaker but I can't tell the difference. The sound is equal for me. Of course, sound is very subjective. In fact, I actually prefer the single monoaural speaker of the WR-2, especially for AM talk radio. The voices seem slightly muddled with the dual speakers of the PR-D5 yet the voices are clear for FM talk radio. With the stereo speakers, the PR-D5 doesn't seem suitable for "quiet" AM bedside listening, but for filling a room, like a den or a kitchen, the PR-D5 is highly recommended.

4. The heavy weight and deep depth of the WR-2, much greater than the skinny, light-weight PR-D5, gives the WR-2 a more solid feel. For tactile category, I like the WR-2. You feel assured that you won't tip over the WR-2 when you're toggling the presets. To the PR-D5's credit, the radio does not tip over when you use one hand to toggle the presets.

5. No remote for the PR-D5. You do get a remote for the WR-2. Also the WR-2 can bypass the auxiliary mode when you're toggling between bands whereas with the PR-D5 you must go through the auxiliary mode. This is a minor point about the PR-D5 but it bugs me anyway.

Conclusions: Easily, at 89 dollars the PR-D5 beats other portables, like the overpriced 159-dollar Tivoli Songbook. But as a bedside clock radio I prefer the look, feel, and ergonomics of the 140-dollar Sangean WR-2. If only the WR-2 had the PR-D5's FM reception, it would be a nearly perfect radio. Who knows? Maybe Sangean will update the WR-2 and give it the PR-D5's powerful FM sensitivity. I can only hope. For now, I'm wavering between which radio to keep by my bedside as the stereo speakers of the PR-D5 seem less than ideal for AM talk radio while its telescopic antenna renders superior FM to the WR-2.

Update: I ended up keeping my WR-2 as my bedside clock radio. I preferred the AM talk sound, the heavier footprint for stability, and the ease of toggling at night. In contrast, the PR-D5 was too dark to see at night and it was too easy to activate the alarm mode while toggling the AM/FM band button. I'm keeping the superior reception PR-D5, however, as it sits proudly on my kitchen shelf.

Further Impressions: Having owned the PR-D5 for a month now, I've focused in on its most glaring weakness: Its dual 2.5-inch speakers lack richness and depth. The radio would be better off with one 3-inch speaker or greater. Imagine a radio with this reception married to a speaker that sounds like the Tivoli Three. Now that would be something.


24 Underappreciated Indie Pop Albums

1.    Suburban Light by The Clientele
2.    Blue Bell Knoll by The Cocteau Twins
3.    Victorialand by The Cocteau Twins
4.    Castaways and Cutouts by The Decemberists
5.    Fisherman’s Woman by Emiliana Torrini
6.    Glow by The Innocence Mission
7.    We Walked in Song by The Innocence Mission
8.    Songs in the Key of Lovejoy by Lovejoy
9.    The Tourniquet by Magnet
10.    Reading, Writing, and Arithmetic by The Sundays
11.    Blind by The Sundays
12.    Cake by The Trashcan Sinatras
13.    I’ve Seen Everything by The Trashcan Sinatras
14.    Happy Pockets by The Trashcan Sinatras
15.    Page France and the Family Telephone by Page France
16.    Hello, Dear Wind by Page France
17.    Come, I’m a Lion by Page France
18.    Don’t Get Weird on Me, Babe, Lloyd Cole
19.    Lloyd Cole (1990) by Lloyd Cole
20.    Rattlesnakes by Lloyd Cole
21.    Honey Bee by Moose
22.    . . . XYZ by Moose
23. Marco Polo by Blue Boy
24. Songs in the Key of Lovejoy by Lovejoy

Obscurity Knocks: Perhaps My Favorite Song of All Time

The Trashcan Sinatras, hitting the American music scene in 1990 with their hit song "Obscurity Knocks," perhaps have written the most beautiful pop song of all time, at least my favorite. Full of romantic longing and the dread of mortality, the song is bitter-sweet, addictive, ecstatic. The TCS almost quit, languishing without an American recording contract in the mid 1990s, but world-wide Internet support persuaded them to keep going and now they remain a classic band, up there with The Smiths.

Another band that should survive, The Clientele, has written one of my top ten favorite songs, "Reflections After Jane."

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